Seunghan, previously a member of the K-pop group RIIZE, has won the title of “Best Idol of 2024,” earning his first trophy in recognition. Announced on December 18, this accolade comes as fans celebrate his achievements outside of the group, with many expressing their support for his new solo journey.
Congratulations to #SEUNGHAN on receiving your first trophy delivered to him, Cafe,ads and making history as the most voted participant in Kooky's history! Thank you to everyone who voted for Seunghan! 🏆🎉
The celebration of Seunghan‘s win coincides with a wave of criticism directed towards SM Entertainment. Various hashtags like “SMRuinedKPOP,” “SMSupportsBullying,” and “SMWreathEnablers” have been trending, highlighting fans’ and netizens’ discontent. This backlash stems from the company’s handling of Seunghan‘s situation, particularly after his departure from RIIZE. Critics argue that SM Entertainment did not adequately protect Seunghan from fan backlash, which included sending funeral wreaths to the company’s headquarters, setting a precedent that has now affected other groups.
SM, this is the precedent you set for the entire industry. Bc a big company is making it a point not to protect their artists, people think they can treat idols like products
The timing of Seunghan‘s award has inadvertently overlapped with the trending criticism of SM Entertainment, leading to a unique scenario where both the celebration of his personal achievement and the company’s controversies are highlighted simultaneously. Some netizens have pointed out the irony, with discussions on social media platforms focusing on this unexpected coincidence.
Despite the controversies, fans have shown significant support for Seunghan, celebrating his win and looking forward to his future endeavors as a solo artist. The outpouring of support reflects a strong fan base that remains loyal despite the challenges faced by the idol.
Seunghan‘s win as “Best Idol of 2024” marks a significant moment in his career, especially following his time with RIIZE. This achievement stands in contrast to the ongoing criticism of SM Entertainment, highlighting the complex dynamics between artist success and management practices in the K-pop industry.
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