If you’ve already binge-watched the return to Netflix’s favorite small town, you know the music hits different this season. The moment Mel Monroe steps back into the spotlight—now officially Mel Monroe —you can feel the producers turned the volume up on the emotional stakes. And that opening scene? The one with the fog rolling over those redwood trees while Noah Kahan and Hozier’s voices blend into pure folk perfection? Absolute chills.
Virgin River has always understood something fundamental about romantic drama: the right song at the right moment can say more than dialogue ever could. Season 7 continues that tradition with a soundtrack that feels both familiar and refreshingly expanded. From Israel Kamakawiwoʻole’s gentle ukulele covering Judy Garland to Shania Twain reminding us all why she’s the queen, this season’s music supervisors outdid themselves.
Here’s your complete episode-by-episode guide to every track featured in Virgin River Season 7.
Episode 1: “Northern Attitude” Sets the Tone
The season premiere wastes no time establishing its musical identity. Noah Kahan and Hozier’s “Northern Attitude” opens the episode with exactly the right energy—haunting, introspective, and perfectly suited to characters wrestling with where they belong . It’s a collaboration that feels almost too perfect for this show, blending two artists who’ve become synonymous with atmospheric storytelling.
Then comes a moment that will make longtime fans emotional. Israel Kamakawiwoʻole’s “Somewhere Over the Rainbow” plays during a scene that reminds us why Mel came to Virgin River in the first place . It’s a classic choice, but sometimes classics become classics for a reason.
Episode 2: A Cover Worth Talking About
Episode 2 brings us Garrett Kato’s cover of “My Girl” . If you’re not familiar with Kato’s work, he’s become something of an unofficial house artist for romantic dramas. His version strips away the Motown energy and replaces it with something more intimate—acoustic guitar, vulnerable vocals, and a tenderness that fits the episode’s quieter moments.
Episode 4: Unexpected Upbeat Energy
Just when you think you know where an episode is going, Emilie Mover’s “Good Lovin’” kicks in . This upbeat track serves as intentional contrast to the emotional tensions unfolding between several characters. It’s the kind of musical choice that reminds viewers this town isn’t all drama—there’s warmth here too.
Episode 5: A Trio of Reflective Tracks
Episode 5 features three songs that complement the episode’s focus on changing relationships and personal growth.
Donovan’s “Colours” brings a 1960s folk sensibility that feels timeless rather than dated . It’s followed by TENDER’s “Flux,” a more contemporary electronic-tinged track that shows the show isn’t afraid to modernize its sound occasionally . Rounding out the episode is Josh Rennie-Hynes’ “Any Longer,” a subdued acoustic piece that lets the lyrics breathe .
Episode 6: Girl Power Meets Emotional Ballad
Episode 6 delivers what might be the season’s most unexpected musical moment. Shania Twain’s “Man! I Feel Like a Woman!” plays during a scene that finally lets some characters loosen up . It’s fun, it’s empowering, and it’s exactly the energy boost the season needs at this point.
But the episode also delivers emotional weight with Chance Peña’s “I Won’t Give Up” . Peña’s version differs from the more familiar Jason Mraz track—it’s rawer, more vulnerable, and perfectly suited to characters facing moments where walking away would be easier than staying.
Episode 7: Discovering Emily Anderson
Episode 7 introduces viewers to Emily Anderson’s “The Light” . Anderson isn’t yet a household name, but this placement suggests she soon will be. The track builds slowly, layering vocals and instrumentation until it becomes something genuinely moving.
Episode 8: Drama Intensifies
As tensions rise and conflicts escalate, the music follows suit. Dermot Kennedy’s “Let Me In” brings his signature passionate vocals to a crucial scene . Kennedy has become a go-to artist for emotional television moments, and this placement proves why.
Barns Courtney’s “Fire” provides the episode with more aggressive energy . It’s rock-edged and intense, matching the higher stakes several characters face.
Episode 9: The Season’s Most Diverse Soundtrack
Episode 9 features the widest musical variety of any episode this season, blending Latin pop, jazz influences, and emotional ballads across multiple storylines.
The episode opens its musical palate with Victor Manuelle’s “Agua Bendita,” followed by Maye’s “Tú” and Suzanne Morales’ “Sigo Siendo Tuya” . These Latin tracks bring warmth and romance to scenes featuring characters whose stories deserve that cultural specificity.
Dominic Richard Ashworth and Derek Nash’s “Mexican Spice” adds instrumental jazz flavor, while Becky G’s “Mayores” brings contemporary Latin pop energy .
But the episode’s emotional anchor comes from Paloma Faith’s cover of “Never Tear Us Apart” . Faith’s interpretation of the INXS classic strips away the 80s production and reveals the song’s timeless heart. It’s devastating in the best way.
Episode 10: The Season Finale’s Sound
The season closes with LA5 and AG’s “Fadeaway” . It’s a fitting end—reflective without being heavy, melodic without overwhelming the visuals. The song suggests that while this chapter ends, the story continues.
How Music Shapes the Tone of Season 7
The musical direction in Season 7 builds on everything Virgin River has established since its first season. The series frequently employs familiar songs reimagined in more minimalistic versions, softening them and making them more reflective for the show’s contemplative mood .
This approach works because it respects the audience’s intelligence. These aren’t songs screaming for attention—they’re tracks that know when to step forward and when to support the storytelling. The panoramic shots of Northern California landscapes? They breathe easier with music underneath. The contemplative dialogues? They land harder when the right track swells at exactly the right moment.
Longtime viewers will notice the consistency. Season 7’s soundtrack maintains the show’s commitment to relaxed acoustic covers and tender indie tracks that complement its focus on relationships and personal recovery . It’s not reinventing the wheel—it’s just making sure the wheel keeps turning smoothly.
Where to Find the Music
If you’re building your own Virgin River Season 7 playlist, you have options. Spotify and Apple Music typically feature curated playlists that update as new episodes drop. Tunefind remains the most reliable resource for episode-by-episode breakdowns, and fan compilations on YouTube capture moments the official releases sometimes miss .
For those interested in the instrumental side of things, composer Jeff Garber’s original score deserves attention . His work has been part of the show’s fabric since early seasons, and Season 7 continues his contribution to the show’s sonic identity . A soundtrack album featuring selections from his Season 7 score is available digitally .
The Artists Behind the Magic
Looking across the season, certain names appear repeatedly. SYML, Hozier, and Dermot Kennedy continue their association with the show’s emotional core . But Season 7 also introduces viewers to newer voices—Chance Peña, Emily Anderson, and LA5 join the roster of artists who now have a permanent connection to this universe.
Music supervisor Lindsay Wolfington, who also worked on To All The Boys I’ve Loved Before, once explained the show’s musical philosophy: “We choose music that doesn’t just play behind the story—it becomes the story” . Season 7 proves that approach still works.
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The Final Note
Virgin River Season 7’s soundtrack does exactly what great television music should do—it enhances without overwhelming, it comments without interrupting, and it lingers after the episode ends. Whether you’re discovering these artists for the first time or recognizing familiar voices in new contexts, the music of this season adds depth to a show that already runs deep on character and emotion.
What songs stood out to you this season? Drop your favorites in the comments—and if you haven’t already, cue up that Noah Kahan and Hozier track one more time. Some songs deserve repeat plays.
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