“HanuMan,” directed by Prasanth Varma, stands out as a game-changer in the Indian superhero genre. Set against the backdrop of the fictional village of Anjanadri, the film unravels the story of Hanumanta (Teja Sajja), an ordinary pickpocket endowed with the superpowers of Lord Hanuman, on a mission to combat the injustices orchestrated by a classist dictatorship.

What immediately captures attention is the film’s ability to exceed expectations, especially considering its mid-budget estimate of 55-60 crores. Cinematographer Dasaradhi Sivendra’s collaboration with Varma is nothing short of spectacular, delivering awe-inspiring visuals that elevate the film to new heights.

While the film boasts a strong core narrative, it does grapple with certain drawbacks. Some unnecessary subplots and a lackluster villain detract from the overall impact, and the love angle, while adding to the runtime, fails to forge a deep connection with the audience. However, the film manages to redeem itself with its clean humor and the promise of a sequel, ensuring audience engagement.

Teja Sajja’s portrayal of Hanumanta is a revelation, deviating from the stereotypical superhero physique to present a more relatable character who revels in his newfound abilities. Amritha Aiyer and Varalaxmi Sarathkumar deliver commendable performances, with the latter deserving more screen time for her impactful role as the emotional anchor.

Prasanth Varma’s direction deserves accolades for navigating the challenges of a restricted budget and making a mark in an industry dominated by larger-than-life stars. “HanuMan” may signify a pivotal moment in the Indian superhero genre, offering a fresh perspective just as Hollywood grapples with superhero fatigue.

The music, composed by Anudeep Dev, GowraHari, and Krishna Saurabh, may not leave a lasting impression, except for the powerful Hanuman Chalisa track towards the end. Nevertheless, the background score enhances crucial scenes, evoking a sense of reverence for Lord Hanuman.

“HanuMan” is a commendable endeavor that, with a more substantial budget, could have pushed the boundaries of visual storytelling in Indian cinema even further. Prasanth Varma’s visionary approach deserves acknowledgment, possibly heralding a new era for superhero films in the country. Despite its flaws, the film earns a solid three and a half stars, making it a must-watch for those willing to overlook its shortcomings in exchange for a unique cinematic experience.

HanuMan releases on 12 January, 2024. see Hanuman Trailer-